A2: Poster Design Research

- Unique and Interesting Poster Designs -

The collection of poster designs above present presentations which upon a conceptual base interests me in the representation of my own design. They present there concepts in a rather simplistic manner through interesting and evocative colour combinations. Poster 5 particularly appeals to me as the can centres the attention, alluding to the important information surrounding it, enhanced through the contrast of the bold rust and light grey. I considered through poster 9 incorporating a black boarder with a similar elevation of my yachts design along the bottom of my poster series as a way of interconnecting each of them. While finally poster 4 presents an interesting notion of freezing time, upon where each of the boxes falling could work as links to animations and further information.

Image Sources:

1. http://illustration-design.blogspot.com/2008_07_01_archive.html
2. http://www.tutoriallounge.com/2010/03/35-excellent-poster-design-tutorials-with-typography-art/
3. http://www.judyhan.com/otherwise/?p=1629http://www.ttthings.com/portfolio/comments/what_is_graphic_design_poster_competition/
5. http://www.stiels.com/index.php?/advertising/object-of-desire/
6. http://www.toddroeth.com/class/grph_210/
7. http://www.estetica-design-forum.com/graphic-design-web-design-critique/25838-interesting-poster.html
8. http://leashsstuff.blogspot.com/2009/12/retro-facebook-poster.html
9. http://himitcho.com/2008/11/islander-yacht-club-launch-party/
10. http://www.apartmenttherapy.com/ny/at-email/phillip-williams-posters-postermuseumcom-080210

- Inspirational Poster Series -

The collection of poster series above is particularly inspiring towards my own representation due to the manner in which they portray a singular notion while remaining unique on an individual level. Whether this may be achieved through the use of a uniform layout (posters 2 and 6) or through the use of a uniform colour scheme (poster 5) they convey a singular notion on various levels. Although each individual poster within the series may seem significantly different, it is through a uniform style that they remain interconnected, as evident within posters 1, 3 and 4.

Image Sources:

1. http://weburbanist.com/2010/03/27/modern-poster-design-with-a-vintage-twist-by-tom-whalen/
2. http://www.pitkinthomas.com/files/Posters.html
3. http://ministryoftype.co.uk/words/category/C16/P90/
4. http://www.boredomisyourfault.com/blog/2007/06/
5. http://www.vvork.com/?m=200612&paged=3
6. http://villing.com/work/award-winners/095/

A2: Detailed Transformation Concept Research

Through the development of my overall concept regarding the transformation of Frank Gehry’s Design Museum into a yacht, I discovered that the famous yacht manufacturer, “Wally” produces design which alludes to the particular design notions I am attempting to achieve through my design and re-interpretation.

Wally: 125 Power

Image Sources: http://www.wally.com/

I found this particular design of the ‘Wally 125’ interesting from a design perspective due to the manner in which it portrays a rather ‘structural’ hull design within a modern and contemporary manner. Such alludes to a design influence within my own yachts design as such a feature may allow for one to convey a modern structural sense through the hulls design component, while alluding to a sense of fluidity with the remainder of the yachts design. Such further allows for one to focus upon the composition of a unique spatial dimension directly connected to the elements and forms from the Vitra Design Museum.

Wally: 80 Sail

Image Sources: http://www.wally.com/

In terms of the overall yacht design, this particular Wally yacht design presented the notion of rather than designing a motor yacht, produce rather a sailing yacht. However through the study of such designs as the Wally 80, it became clear that although such lends itself to the notion of contemporary fluidity, such wouldn’t allow for me to successfully incorporate the design elements from the Vitra Design Museum due to lack of space.

Wally: 73 Power

Image Sources: http://www.wally.com/

Although the design of this Wally Yacht may be similar to the Wally 125 it remains slightly different as it conveys a more fluid sense in terms of the slightly curvilinear nature of the hull design. However such only exists in the hull design as the cabin remains rather structurally linear. The hulls design is rather interesting though as it may be a useful influence in my own design to allow a smooth transition between a rather organic cabin design and a rather structural hull design.

Wally: 26 Wallyace

Images Sources: http://www.wally.com/

The design of this Wally yacht is rather unique and hence interesting in my developed concepts research as it presents a rather fluid hull design and more structurally linear cabin design. Such alters my previous pattern of thought which alluded to using the design of the hull to present the sense of structural detail, as now I may be able to include the curvilinear nature of the Vitra Museum into the actual design of the hull, leaving the more linear elements to form the cabin.

A2: A3 Expressive Transformation Concept Montage

A2: Ten Conceptual Textures Palette

Texture One: "White Cedar Teak"
This particular material at this point in time will be used for the exterior decking of the yacht, in the traditional fashion. Source: http://www.teakworks4u.com/images/woods/Cedar.jpg.

Texture Two: "Dark Gloss Timber"

This material may be used within the actual yacht cabin as a flooring material or as even a texture for other features such as furniture. Source: http://www.eastsideflooring.com.au/wp/?page_id=352

Texture Three: "Gloss White"

This texture will be used as the body of the yacht, including the hull and cabin sections. It will appear rather glossy when actually used within renders. Source: http://www.amode.co.uk/tv-tables/stella-contemporary-high-gloss-tv-unit-black-or-white.html.
Texture Four: "Gloss Blue"

This material may be used a alternate for the hull or body of the yacht to provide a contrast to the white. It will also be of the gloss appearance for final renders. Source: http://www.cabotwrenn.com/CWleather.asp?page=2.

Texture Five: "Chocolate Leather"

This material will be used within the interior of the yacht as a trimming material. Source: http://www.ruksliving.com/leather-swatch-samples.aspx.
Texture Six: "Tan Leather"
This material may be used to cover most of the furniture, as well as other features within the interior of the yacht. Source: http://www.gowfb.com/Julius-Leather-Sofa-Set-by-Stanley-Chair-p-11391.php?products_id=11391
Texture Seven: "Ocean Blue"

This texture has been chosen as a representation of the ocean for the final presentation and layar modeling section of the project. Source: http://sed-rah-stock.deviantart.com/art/Deep-Water-Texture-162361377?q=favby%3Anika4843%2F5220000&qo=1
Texture Eight: "Check Carpet"
This texture will be used as a flooring material within the yacht itself, to enhance the other materials chosen for the interior. Source: http://www.cgtextures.com/
Texture Nine: "Glass"
This slightly tinted glass has been chosen as a necessary material for the windows within my yachts design. It has been chosen due to its simplicity in order to enhance the other aspects of the design. Source: http://www.dreamstime.com/fotografia-de-stock-tecla-de-vidro-cinzenta-do-vetor-image2784832
Texture Ten: "Grey Scale"
This texture has been chosen from a presentation point of view as it will be used as the basis of the overall presentation, enhanced by additional unique colours. Source: http://kathleenbrennanstudio.com/adjust/monitor_adjust.htm

A2: Final Transformation Concept

Upon further development into my concept regarding a transformation upon the Vitra design museum I have decided that I will follow my initial intentions regarding a transformation into a super yacht. The design we consist of various elements from the original building including key architectural principles. Through a collaboration of curvilinear and linear forms will juxtaposition occur representing the unique interrelationship between the exterior and the interior. Throughout the design process will one consider Gehry’s design intentions regarding social fluidity and spatial dimension. Such will also consider the interplay between the organic form and the structural aspects ensuring the overall design is as viable as possible.

A2: Initial Base Model Transformation Experimentation

To begin the transformation on the Vitra Design Museum I have decided to firstly break the model that my group produced down into the core elements and forms. This notion is presented above as we identify each major element of the structure. By doing this I will be able to easily test out, and begin designing the general form and layout of my conceptual yacht by simply re-arranging and interconnecting sections.

A2: Vitra Museum Transformation Concept

- 150 Word Conceptual Notion -

"With regards to a design transformation upon Frank Gehry’s ‘Vitra Design Museum’, I hold the intention of using the designs basic forms and architectural elements to compose a conceptual yacht. Through forms which portray a sense of fluidity will one be able to capture a juxtaposition between the structural and organic elements of Gehry’s design to compose a representation which alters ones original perception of the structure through the individual’s unique re-interpretation. The contextual nature of such a transformation interconnects with Gehry’s original design intentions regarding the formation of an expressive and spatially unique space, as my yachts design will utilise the spatial aspects of the various forms and elements from the Vitra Museum to present a design which re-interprets the general perception, while remaining to portray a sense of Gehry’s unique spatial dimension. A dimension which I will achieve through the interconnection of the various unique elements, arranged with the sense of fluidity in mind."

Image Source: http://www.superyachttimes.com/editorial/6/article/id/3460

The image above portrays the notion of a spatially unique space with reference to a sense fluidity as desired within the design of my own transformation.

Image Sources: http://www.touringsportbmw.com/ts/index.php?option=com_content&view=article&id=43:bmw-f800gs-&catid=13:bmw-news&Itemid=60

The image above conveys a unique inspiration I have discovered, as through a pure interpretation and analysis of particular design elements within this motor cycles design will I be able to portray the required structural sense within my transformation. As Jeremy stated in a recent lecture, some designers gain inspiration through another random designed object. Such is why I have included this inspiration. As the structural elements are covered by fluid forms (mainly on the top of the motor cycle) which is evident with the Vitra Museum, as unique curves etc cover the structural workings of the building.

The image collage above presents the notion of conceptual yacht design with a particular sense of expressive fluidity as evident within the Vitra Museum. Through the various examples provided can one identify the contemporary design notion I am striving towards with a particular identification on the scale of the yacht I wish to produce. In particular we identify the forth image which presents a rather sculptural design while remaining fluid.

Image Sources:
- http://www.tuvie.com/luxury-oculus-yacht-design-by-schopfer-yachts/
- http://www.uncrate.com/men/gear/transportation/porsche-design-fearless-28-yacht/
- http://www.bloginfor.com/2009/01/oculus-luxury-yacht-design-inspiration-from-marine-26-23179-3b-26-23189-3b-26-23161-3bb-26-23179-3b-26-23189-3b-26-23227-3b-26-23254-3b/
- http://www.thedesignblog.org/entry/oligarch-six-curvaceous-megayacht-changes-the-way-you-view-yachts/
- http://adrienjousset.wordpress.com/