The image above portrays the test I carried out regarding positioning my Spore environment within space through Yahoo Pipes before viewing it within the IPhone Layar application.
Monday, September 13, 2010
Tuesday, September 7, 2010
Wednesday, September 1, 2010
Final High Resolution Environment - Scuderia
The images above portrays the final exterior renders of "Scuderia's" environment in the form the "Formula Automobile Museum". The exterior is finished in two different concrete tile textures to create a contrast between the two shapes to enhance there definition from each other. 
The images above presents the final interior renders of the gallery spaces, in this case the "F" wing, the home and location of "Scuderia" within the museum. The interior atmosphere interconnects with the overall persona of the design, in terms of being modern and contemporary. Such is achieved here through the stark white walls and gloss timber flooring.
The images above convey a sectional view within the "Formula Automobile Museum" from the "F" wing, as well as an overall site plan. Simplistic outlines of people are included within the sections to provide a sense of scale. Furthermore the site plan is rather simplistic to enhance the focus upon the modern form of the museums building and structure itself. Final Poster Text / Colour Scheme
Final Text Component
Scuderia, originating within the Spore creature creator program portrays the contextual history of formula one through unique automobile inclusive design features. While one identifies the interconnection between the creatures’s identification and the historical Ferrari Formula One racing team. The design begins with the representation of formula one history in the presentation of the ‘thin, unique racing slicks’ which reemerged within the design of such automobiles as the ‘Ferrari 500’ in 1953. Furthermore the custom exhaust form reflects that of the 1960’s era which appeared on the Ferrari 158 of 1965. Continuing through to the 1980’s we identify the unique mid section air-intake system which emerged on the Williams FW11 of 1986 until truly developing in the 1990’s through such designs as Benetton’s B194. Through such a collaboration of design features throughout history one is presented within an overall historical representation of formula one.
The natural manner of Scuderia is one of quietness and patience due to his daily routine of simply presenting himself to automotive enthusiasts. While his appetite involves feeding upon other museum exhibitions such as trophies, artworks and the occasional dash of motor oil, as he roams the quite gallery spaces of an evening once all the visitors and staff have left for the day. Scuderia is situated within the upper "F" wing gallery space due to his significance within the perception of formula one automobile history.
The architectural form of Scuderia’s environment portrays a modernist contextual juxtaposition to the remainder of the city. Such alludes to a sense of historical exploration, as the city portrays a continual movement through history while the museum presents a stationary point, hence presenting the past for the present. The structural form of the museum portrays and represents the initials of the museums title in the form of ‘Formula Automobile’. Such that an extrude ‘F’ lies upon an extruded ‘A’ creating a series of unique gallery spaces within. The spaces take advantage of the geometrical shapes, in terms of creating a smooth social flow through the museum, as it remains open to the journey of the visitor while still providing a necessary sense of direction and division. The unique interior architectural form is particularly evident within the sectional image as the angular forms of the spaces become evident. Such a social flow within the gallery space is enhanced through the glass bridge, providing structural support to the overall contemporary structure. The architectural juxtaposition is evident with the projects site plan as the dramatically contrasting forms become evident. Although the structures throughout the site and the city are of reasonable geometrical principles, it is through the manner in which such shapes and principles are placed together that creates such a contrast between history and contemporary modernism.
Final Colour Scheme
Draft Poster / Grid
Draft Poster Text
Scuderia is a creature created within Spore which reflects the history of formula one through the collaboration and incorporation of the unique design features from specific automobiles throughout history. The creatures name originates from the original Ferrari formula one racing team, ‘Scuderia’ as we are able to identify such design features as the thin racing slicks, which first emerged in the 1950’s on such automobiles as the ‘Ferrari 500’ of the year 1953. Furthermore the custom exhaust form reflects that of the 1960’s era which appeared on the Ferrari 158 of 1965. Continuing through to the 1980’s we identify the unique mid section air-intake system which emerged on the Williams FW11 of 1986 until truly developing in the 1990’s through such designs as Benetton’s B194.
The natural manner of Scuderia is one of quietness and patience due to his daily routine of simply presenting himself to automotive supporters and enthusiasts. While his appetite involves feeding upon other museum exhibitions such as trophies, artworks and the occasional dash of motor oil, as he roams the quite gallery spaces of an evening once all the visitors and staff have left for the day. Scuderia is situated within the upper "F" wing gallery space due to his significance within the perception of formula one automobile history.
The architectural form of Scuderia’s environment portrays a modernist contextual juxtaposition to the remainder of the city. Such conveys and enhances the historical aspect of the overall project with reference the historical presentation of Scuderia. One identifies this through the representation of the city in terms of the simplistic, modern and contemporary style with reference to the buildings . Such combined with the modern form of the gallery eludes a sense of historical exploration as the aged city represents movement through history itself while the gallery presents a standing in time, presenting the past for the present.
The structural form of the museum portrays and represents the initials of the museums title in the form of Formula Automobile. Such that an extrude ‘F’ lies upon an extruded ‘A’ creating a series of unique gallery spaces within. The spaces take advantage of the geometrical shapes in terms of creating a smooth social flow through the museum, as it remains open to the journey of the visitor while still providing a necessary sense of direction and division. The unique interior architectural form is particularly evident within the sectional images as the angular forms of the spaces become evident. Such to include the perception of the spaces at hand as they enhance the notion of a smooth social flow and dynamic throughout the museum. The architectural juxtaposition is evident with the projects site plan as the dramatically contrasting forms become evident. Although the structures throughout the site and the city are of reasonable geometrical principles, it is through the manner in which such shapes and principles are placed together that creates such a contrast between aging history and contemporary modernism.
Draft Poster
Poster Grid
The image above portrays the grid I intend on using for the layout of my poster. The layout produces a boarder around the exterior of the main body of content in the center. Such directs the eye towards the content. For the draft poster submission I have decided to experiment with the grid, by doubling it across next to each other to experiment with the notion of symmetry. 
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